Showing posts with label Slow Sync Flash. Show all posts
Showing posts with label Slow Sync Flash. Show all posts

Thursday, 1 October 2015

Technique Page - Slow Sync Flash


How to do Slow Sync Flash:

  • To do Slow Sync Flash you will need to set your camera to 2.0+ (depending on how slow you want the shutter speed to be) second exposure, F16 and an ISO 200. 
  • The model (you can have more than one model if you wish) will need to move constantly until the camera has eventually taken the shot. This will capture the blur of their motion within the shot. 
  • The black backdrop allows the colour of the blur to be shown more clearly. 

Wednesday, 30 September 2015

Work Diary - Slow Sync Flash

Evaluation

This shoot was alongside the High Key Lighting shoot. As a class, we split into two groups and used two different backdrops, one white and one black. The black one was for Slow Sync Flash. This technique enables a photographer to capture a subject's movement, in the form of a blur. In this session, we used each other as models and chose different movements such as jumping, walking across the screen, dancing and also using two or more people within one shot. To do this, the shutter speed of the camera has to be longer, but we varied the lengths from 1-4 seconds depending on how much blur we wanted in the image, F16 and ISO 200. Due to only being able to set up two shoots, the groups were quite big which meant that we weren't able to shoot as many images as we would have liked individually. This is the lighting diagram for this shoot:




This photo is the first one I took, whereby I asked my model to 'star jump' into the air. I particularly like slow sync flash because it captures the subject within a still image first, then captures the blur depending on the motion. Therefore, in this image we can see the model standing still, and in comparison can also see her jumping in the air in the background. If i was going to recreate this image, I would try to capture a more distinct blur and to do this, I might ask the model to jump to the side instead, so that the blur appears next to her, not behind. 


This is the second image I took, which I'm actually quite proud of. To do this, I asked my original model to stand still, and then asked another model to walk from behind her and around to the front. Although the blur didn't capture the whole movement of the second model, it did create an incredibly coloured blur to the side of the first model. We can also see the head of the second model, which is in clear focus like the first model, and this shows that he walked out from behind her. I particularly like that we can see a colour difference in the blur, the top part being orange-red where the second models head appeared from, and below that it is yellow. I also like that the blur swifts over the first models face, so we can see that the second model did walk past her. I didn't crop this image because I liked the black, dark right side in comparison to the colourful left side. 

Progression


If I were going to use this technique within my personal project, I would like to test it out on Location, as it would be a good technique for capturing cyclists, people walking/running, cars driving past or trains moving along. I like that the still image is kept in focus, so we can see what the blur originally was to begin with. I could also re-shoot in the studio, and try to take better images, or even use this technique to blur over people's faces - which would coincide with my identity topic.

Sunday, 20 September 2015

Image Bank - Slow Sync Flash







Slow Sync Photography is taken with a slow shutter speed so that the camera is able to capture the movement of the subject. This enables the motion to be captured within the photo, as a blur. This type of technique is especially good for shooting sports such as dance, as well as just general fast movements. The images above are examples of this. For instance, the second to last image is of a couple dancing together, with a slightly longer shutter speed the photographer has been able to capture the different positions of their dance, so there is a blur of their movement from one side of the image to the other, but we are still able to see the dance positions clearly. Photos such as the last image, whereby the movement is so quick that the image has only been able to capture a stretched out blur, show the journey of the model from one place to another. In this image the blur is portraying the distance the skateboarder has traveled. These images are especially clever because they capture the model in one position in focus, as well as the blur, so you can clearly identify what the picture is of, rather than one massive blur.